Then he climbed the tower of the Old North Church, By the wooden stairs, with stealthy tread, To the belfry-chamber overhead, And startled the pigeons from their perch On the sombre rafters, that round him made Masses and moving shapes of shade,--By the trembling ladder, steep and tall To the highest window in the wall, Where he paused to listen and look down A moment on the roofs of the town, And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead, In their night-encampment on the hill, Wrapped in silence so deep and still That he could hear, like a sentinel's tread, The watchful night-wind, as it went Creeping along from tent to tent And seeming to whisper, "All is well!"A moment only he feels the spell Of the place and the hour, and the secret dread Of the lonely belfry and the dead;For suddenly all his thoughts are bent On a shadowy something far away, Where the river widens to meet the bay,--A line of black that bends and floats On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride, Booted and spurred, with a heavy stride On the opposite shore walked Paul Revere.
Now he patted his horse's side, Now gazed at the landscape far and near, Then, impetuous, stamped the earth, And turned and tightened his saddle-girth;But mostly he watched with eager search The belfry-tower of the Old North Church, As it rose above the graves on the hill, Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry's height A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns, But lingers and gazes, till full on his sight A second lamp in the belfry burns!
A hurry of hoofs in a village street, A shape in the moonlight, a bulk in the dark, And beneath, from the pebbles, in passing, a spark Struck out by a steed flying fearless and fleet:
That was all! And yet, through the gloom and the light, The fate of a nation was riding that night;And the spark struck out by that steed, in his flight, Kindled the land into flame with its heat.
He has left the village and mounted the steep, And beneath him, tranquil and broad and deep, Is the Mystic, meeting the ocean tides;And under the alders, that skirt its edge, Now soft on the sand, now loud on the ledge, Is heard the tramp of his steed as he rides.
It was twelve by the village clock When he crossed the bridge into Medford town.
He heard the crowing of the cock, And the barking of the farmer's dog, And felt the damp of the river fog, That rises after the sun goes down.
It was one by the village clock, When he galloped into Lexington.
He saw the gilded weathercock Swim in the moonlight as he passed, And the meeting-house windows, blank and bare, Gaze at him with a spectral glare, As if they already stood aghast At the bloody work they would look upon.
It was two by the village clock, When he came to the bridge in Concord town.
He heard the bleating of the flock, And the twitter of birds among the trees, And felt the breath of the morning breeze Blowing over the meadows brown.
And one was safe and asleep in his bed Who at the bridge would be first to fall, Who that day would be lying dead, Pierced by a British musket-ball.
You know the rest.In the books you have read, How the British Regulars fired and fled,--How the farmers gave them ball for ball, From behind each fence and farm-yard wall, Chasing the red-coats down the lane, Then crossing the fields to emerge again Under the trees at the turn of the road, And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm To every Middlesex village and farm,--A cry of defiance and not of fear, A voice in the darkness, a knock at the door, And a word that shall echo forevermore!
For, borne on the night-wind of the Past, Through all our history, to the last, In the hour of darkness and peril and need, The people will waken and listen to hear The hurrying hoof-beats of that steed, And the midnight message of Paul Revere.
INTERLUDE.
The Landlord ended thus his tale, Then rising took down from its nail The sword that hung there, dim with dust And cleaving to its sheath with rust, And said, "This sword was in the fight."The Poet seized it, and exclaimed, "It is the sword of a good knight, Though homespun was his coat-of-mail;What matter if it be not named Joyeuse, Colada, Durindale, Excalibar, or Aroundight, Or other name the books record?
Your ancestor, who bore this sword As Colonel of the Volunteers, Mounted upon his old gray mare, Seen here and there and everywhere, To me a grander shape appears Than old Sir William, or what not, Clinking about in foreign lands With iron gauntlets on his hands, And on his head an iron pot!"All laughed; the Landlord's face grew red As his escutcheon on the wall;He could not comprehend at all The drift of what the Poet said;For those who had been longest dead Were always greatest in his eyes;And be was speechless with surprise To see Sir William's plumed head Brought to a level with the rest, And made the subject of a jest.
And this perceiving, to appease The Landlord's wrath, the others' fears, The Student said, with careless ease, "The ladies and the cavaliers, The arms, the loves, the courtesies, The deeds of high emprise, I sing!
Thus Ariosto says, in words That have the stately stride and ring Of armed knights and clashing swords.
Now listen to the tale I bring Listen! though not to me belong The flowing draperies of his song, The words that rouse, the voice that charms.
The Landlord's tale was one of arms, Only a tale of love is mine, Blending the human and divine, A tale of the Decameron, told In Palmieri's garden old, By Fiametta, laurel-crowned, While her companions lay around, And heard the intermingled sound Of airs that on their errands sped, And wild birds gossiping overhead, And lisp of leaves, and fountain's fall, And her own voice more sweet than all, Telling the tale, which, wanting these, Perchance may lose its power to please."THE STUDENT'S TALE
THE FALCON OF SER FEDERIGO