The magnificent and surprising idea of Thuillier's municipal advancement, put forth by the "advocate of the poor" was not less upsetting in the Thuillier household than it was in the Phellion salon. Jerome Thuillier, without actually confiding anything to his sister, for he made it a point of honor to obey his Mephistopheles, had rushed to her in great excitement to say:--"My dearest girl" (he always touched her heart with those caressing words), "we shall have some big-wigs at dinner to-day. I'm going to ask the Minards; therefore take pains about your dinner. I have written to Monsieur and Madame Phellion; it is rather late; but there's no need of ceremony with them. As for the Minards, I must throw a little dust in their eyes; I have a particular need of them.""Four Minards, three Phellions, four Collevilles, and ourselves; that makes thirteen--""La Peyrade, fourteen; and it is worth while to invite Dutocq; he may be useful to us. I'll go up and see him.""What are you scheming?" cried his sister. "Fifteen to dinner! There's forty francs, at the very least, waltzing off.""You won't regret them, my dearest. I want you to be particularly agreeable to our young friend, la Peyrade. There's a friend, indeed! you'll soon have proofs of that! If you love me, cosset him well."So saying, he departed, leaving Brigitte bewildered.
"Proofs, indeed! yes, I'll look out for proofs," she said. "I'm not to be caught with fine words, not I! He is an amiable fellow; but before I take him into my heart I shall study him a little closer."After inviting Dutocq, Thuillier, having bedizened himself, went to the hotel Minard, rue des Macons-Sorbonne, to capture the stout Zelie, and gloss over the shortness of the invitation.
Minard had purchased one of those large and sumptuous habitations which the old religious orders built about the Sorbonne, and as Thuillier mounted the broad stone steps with an iron balustrade, that proved how arts of the second class flourished under Louis XIII., he envied both the mansion and its occupant,--the mayor.
This vast building, standing between a courtyard and garden, is noticeable as a specimen of the style, both noble and elegant, of the reign of Louis XIII., coming singularly, as it did, between the bad taste of the expiring renaissance and the heavy grandeur of Louis XIV., at its dawn. This transition period is shown in many public buildings. The massive scroll-work of several facades--that of the Sorbonne, for instance,--and columns rectified according to the rules of Grecian art, were beginning to appear in this architecture.
A grocer, a lucky adulterator, now took the place of the former ecclesiastical governor of an institution called in former times L'Economat; an establishment connected with the general agency of the old French clergy, and founded by the long-sighted genius of Richelieu. Thuillier's name opened for him the doors of the salon, where sat enthroned in velvet and gold, amid the most magnificent "Chineseries," the poor woman who weighed with all her avoirdupois on the hearts and minds of princes and princesses at the "popular balls"of the palace.
"Isn't she a good subject for 'La Caricature'?" said a so-called lady of the bedchamber to a duchess, who could hardly help laughing at the aspect of Zelie, glittering with diamonds, red as a poppy, squeezed into a gold brocade, and rolling along like the casts of her former shop.