As to the anonymous publication, I have this to say: If the withholding of the author's name should tend materially to injure the publisher's interest, to interfere with booksellers' orders, etc., I would not press the point; but if no such detriment is contingent, I should be most thankful for the sheltering shadow of an incognito. I seem to dread the advertisements--the large-lettered 'Currer Bell's New Novel,' or 'New Work, by the Author of Jane Eyre.' These, however, I feel well enough, are the transcendentalisms of a retired wretch; so you must speak frankly. . . . I shall be glad to see 'Colonel Esmond.' My objection to the second volume lay here: I thought it contained decidedly too much history--too little story."In another letter, referring to "Esmond," she uses the following words:--"The third volume seemed to me to possess the most sparkle, impetus, and interest. Of the first and second my judgment was, that parts of them were admirable; but there was the fault of containing too much History--too little story. I hold that a work of fiction ought to be a work of creation: that the REAL should be sparingly introduced in pages dedicated to the IDEAL. Plain household bread is a far more wholesome and necessary thing than cake; yet who would like to see the brown loaf placed on the table for dessert? In the second volume, the author gives us an ample supply of excellent brown bread; in his third, only such a portion as gives substance, like the crumbs of bread in a well-made, not too rich, plum-pudding."Her letter to Mr. Smith, containing the allusion to 'Esmond,' which reminded me of the quotation just given continues:--"You will see that 'Villette' touches on no matter of public interest. I cannot write books handling the topics of the day; it is of no use trying. Nor can I write a book for its moral. Nor can I take up a philanthropic scheme, though I honour philanthropy; and voluntarily and sincerely veil my face before such a mighty subject as that handled in Mrs. Beecher Stowe's work, 'Uncle Tom's Cabin.' To manage these great matters rightly, they must be long and practically studied--their bearings known intimately, and their evils felt genuinely; they must not be taken up as a business matter, and a trading speculation. Idoubt not, Mrs. Stowe had felt the iron of slavery enter into her heart, from childhood upwards, long before she ever thought of writing books. The feeling throughout her work is sincere, and not got up. Remember to be an honest critic of 'Villette,' and tell Mr. Williams to be unsparing: not that I am likely to alter anything, but I want to know his impressions and yours."To G. SMITH, ESQ.
"Nov. 3rd.
"My dear Sir,--I feel very grateful for your letter; it relieved me much, for I was a good deal harassed by doubts as to how 'Villette' might appear in other eyes than my own. I feel in some degree authorised to rely on your favourable impressions, because you are quite right where you hint disapprobation. You have exactly hit two points at least where I was conscious of defect;--the discrepancy, the want of perfect harmony, between Graham's boyhood and manhood,--the angular abruptness of his change of sentiment towards Miss Fanshawe. You must remember, though, that in secret he had for some time appreciated that young lady at a somewhat depressed standard--held her a LITTLElower than the angels. But still the reader ought to have been better made to feel this preparation towards a change of mood. As to the publishing arrangement, I leave them to Cornhill. There is, undoubtedly, a certain force in what you say about the inexpediency of affecting a mystery which cannot be sustained; so you must act as you think is for the best. I submit, also, to the advertisements in large letters, but under protest, and with a kind of ostrich-longing for concealment. Most of the third volume is given to the development of the 'crabbed Professor's' character. Lucy must not marry Dr. John; he is far too youthful, handsome, bright-spirited, and sweet-tempered; he is a 'curled darling' of Nature and of Fortune, and must draw a prize in life's lottery. His wife must be young, rich, pretty; he must be made very happy indeed. If Lucy marries anybody, it must be the Professor--a man in whom there is much to forgive, much to 'put up with.' But I am not leniently disposed towards Miss FROST from the beginning, I never meant to appoint her lines in pleasant places. The conclusion of this third volume is still a matter of some anxiety: I can but do my best, however. It would speedily be finished, could I ward off certain obnoxious headaches, which, whenever I get into the spirit of my work, are apt to seize and prostrate me. . . . . . . . . . . . . .
"Colonel Henry Esmond is just arrived. He looks very antique and distinguished in his Queen Anne's garb; the periwig, sword, lace, and ruffles are very well represented by the old 'Spectator' type."
In reference to a sentence towards the close of this letter, Imay mention what she told me; that Mr. Bronte was anxious that her new tale should end well, as he disliked novels which left a melancholy impression upon the mind; and he requested her to make her hero and heroine (like the heroes and heroines in fairy-tales) "marry, and live very happily ever after." But the idea of M. Paul Emanuel's death at sea was stamped on her imagination till it assumed the distinct force of reality; and she could no more alter her fictitious ending than if they had been facts which she was relating. All she could do in compliance with her father's wish was so to veil the fate in oracular words, as to leave it to the character and discernment of her readers to interpret her meaning.
To W. S. WILLIAMS, ESQ.
"Nov. 6th, 1852.