"I return Mr. H----'s note, after reading it carefully. I tried very hard to understand all he says about art; but, to speak truth, my efforts were crowned with incomplete success. There is a certain jargon in use amongst critics on this point through which it is physically and morally impossible to me to see daylight. One thing however, I see plainly enough, and that is, Mr. Currer Bell needs improvement, and ought to strive after it;and this (D. V.) he honestly intends to do--taking his time, however, and following as his guides Nature and Truth. If these lead to what the critics call art, it is all very well; but if not, that grand desideratum has no chance of being run after or caught. The puzzle is, that while the people of the South object to my delineation of Northern life and manners, the people of Yorkshire and Lancashire approve. They say it is precisely the contrast of rough nature with highly artificial cultivation which forms one of their main characteristics. Such, or something very similar, has been the observation made to me lately, whilst Ihave been from home, by members of some of the ancient East Lancashire families, whose mansions lie on the hilly border-land between the two counties. The question arises, whether do the London critics, or the old Northern squires, understand the matter best?
"Any promise you require respecting the books shall be willingly given, provided only I am allowed the Jesuit's principle of a mental reservation, giving licence to forget and promise whenever oblivion shall appear expedient. The last two or three numbers of Pendennis will not, I dare say, be generally thought sufficiently exciting, yet I like them. Though the story lingers, (for me) the interest does not flag. Here and there we feel that the pen has been guided by a tired hand, that the mind of the writer has been somewhat chafed and depressed by his recent illness, or by some other cause; but Thackeray still proves himself greater when he is weary than other writers are when they are fresh. The public, of course, will have no compassion for his fatigue, and make no allowance for the ebb of inspiration; but some true-hearted readers here and there, while grieving that such a man should be obliged to write when he is not in the mood, will wonder that, under such circumstances, he should write so well. The parcel of books will come, I doubt not, at such time as it shall suit the good pleasure of the railway officials to send it on,--or rather to yield it up to the repeated and humble solicitations of Haworth carriers;--till when I wait in all reasonable patience and resignation, looking with docility to that model of active self-helpfulness Punch friendly offers the 'Women of England,' in his 'Unprotected Female.'"The books lent her by her publishers were, as I have before said, a great solace and pleasure to her. There was much interest in opening the Cornhill parcel. But there was pain too; for, as she untied the cords, and took out the volumes one by one, she could scarcely fail to be reminded of those who once, on similar occasions, looked on so eagerly. "I miss familiar voices, commenting mirthfully and pleasantly; the room seems very still--very empty; but yet there is consolation in remembering that Papa will take pleasure in some of the books. Happiness quite unshared can scarcely be called happiness; it has no taste." She goes on to make remarks upon the kind of books sent.
"I wonder how you can choose so well; on no account would Iforestall the choice. I am sure any selection I might make for myself would be less satisfactory than the selection others so kindly and judiciously make for me; besides, if I knew all that was coming, it would be comparatively flat. I would much rather not know.
"Amongst the especially welcome works are 'Southey's Life', the 'Women of France,' Hazlitt's 'Essays,' Emerson's 'Representative Men;' but it seems invidious to particularise when all are good.