She laid down her work and looked at her sister.She thought Gudrun so charming, so infinitely charming, in her softness and her fine, exquisite richness of texture and delicacy of line.There was a certain playfulness about her too, such a piquancy or ironic suggestion, such an untouched reserve.Ursula admired her with all her soul.
`Why did you come home, Prune?' she asked.
Gudrun knew she was being admired.She sat back from her drawing and looked at Ursula, from under her finely-curved lashes.
`Why did I come back, Ursula?' she repeated.`I have asked myself a thousand times.'
`And don't you know?'
`Yes, I think I do.I think my coming back home was just reculer pour mieux sauter.'
And she looked with a long, slow look of knowledge at Ursula.
`I know!' cried Ursula, looking slightly dazzled and falsified, and as if she did not know.`But where can one jump to?'
`Oh, it doesn't matter,' said Gudrun, somewhat superbly.`If one jumps over the edge, one is bound to land somewhere.'
`But isn't it very risky?' asked Ursula.
A slow mocking smile dawned on Gudrun's face.
`Ah!' she said laughing.`What is it all but words!' And so again she closed the conversation.But Ursula was still brooding.
`And how do you find home, now you have come back to it?' she asked.
Gudrun paused for some moments, coldly, before answering.Then, in a cold truthful voice, she said:
`I find myself completely out of it.'
`And father?'
Gudrun looked at Ursula, almost with resentment, as if brought to bay.
`I haven't thought about him: I've refrained,' she said coldly.
`Yes,' wavered Ursula; and the conversation was really at an end.The sisters found themselves confronted by a void, a terrifying chasm, as if they had looked over the edge.
They worked on in silence for some time, Gudrun's cheek was flushed with repressed emotion.She resented its having been called into being.
`Shall we go out and look at that wedding?' she asked at length, in a voice that was too casual.
`Yes!' cried Ursula, too eagerly, throwing aside her sewing and leaping up, as if to escape something, thus betraying the tension of the situation and causing a friction of dislike to go over Gudrun's nerves.
As she went upstairs, Ursula was aware of the house, of her home round about her.And she loathed it, the sordid, too-familiar place! She was afraid at the depth of her feeling against the home, the milieu, the whole atmosphere and condition of this obsolete life.Her feeling frightened her.
The two girls were soon walking swiftly down the main road of Beldover, a wide street, part shops, part dwelling-houses, utterly formless and sordid, without poverty.Gudrun, new from her life in Chelsea and Sussex, shrank cruelly from this amorphous ugliness of a small colliery town in the Midlands.
Yet forward she went, through the whole sordid gamut of pettiness, the long amorphous, gritty street.She was exposed to every stare, she passed on through a stretch of torment.It was strange that she should have chosen to come back and test the full effect of this shapeless, barren ugliness upon herself.Why had she wanted to submit herself to it, did she still want to submit herself to it, the insufferable torture of these ugly, meaningless people, this defaced countryside? She felt like a beetle toiling in the dust.She was filled with repulsion.
They turned off the main road, past a black patch of common-garden, where sooty cabbage stumps stood shameless.No one thought to be ashamed.
No one was ashamed of it all.
`It is like a country in an underworld,' said Gudrun.`The colliers bring it above-ground with them, shovel it up.Ursula, it's marvellous, it's really marvellous -- it's really wonderful, another world.The people are all ghouls, and everything is ghostly.Everything is a ghoulish replica of the real world, a replica, a ghoul, all soiled, everything sordid.It's like being mad, Ursula.'
The sisters were crossing a black path through a dark, soiled field.
On the left was a large landscape, a valley with collieries, and opposite hills with cornfields and woods, all blackened with distance, as if seen through a veil of crape.White and black smoke rose up in steady columns, magic within the dark air.Near at hand came the long rows of dwellings, approaching curved up the hill-slope, in straight lines along the brow of the hill.They were of darkened red brick, brittle, with dark slate roofs.The path on which the sisters walked was black, trodden-in by the feet of the recurrent colliers, and bounded from the field by iron fences;the stile that led again into the road was rubbed shiny by the moleskins of the passing miners.Now the two girls were going between some rows of dwellings, of the poorer sort.Women, their arms folded over their coarse aprons, standing gossiping at the end of their block, stared after the Brangwen sisters with that long, unwearying stare of aborigines; children called out names.
Gudrun went on her way half dazed.If this were human life, if these were human beings, living in a complete world, then what was her own world, outside? She was aware of her grass-green stockings, her large grass-green velour hat, her full soft coat, of a strong blue colour.And she felt as if she were treading in the air, quite unstable, her heart was contracted, as if at any minute she might be precipitated to the ground.She was afraid.
She clung to Ursula, who, through long usage was inured to this violation of a dark, uncreated, hostile world.But all the time her heart was crying, as if in the midst of some ordeal: `I want to go back, I want to go away, I want not to know it, not to know that this exists.' Yet she must go forward.
Ursula could feel her suffering.
`You hate this, don't you?' she asked.
`It bewilders me,' stammered Gudrun.
`You won't stay long,' replied Ursula.
And Gudrun went along, grasping at release.