Few of us can stand prosperity. Another man's, I mean.
--Pudd'nhead Wilson's New Calendar.
The next picture in my mind is Government House, on Malabar Point, with the wide sea-view from the windows and broad balconies; abode of His Excellency the Governor of the Bombay Presidency--a residence which is European in everything but the native guards and servants, and is a home and a palace of state harmoniously combined.
That was England, the English power, the English civilization, the modern civilization--with the quiet elegancies and quiet colors and quiet tastes and quiet dignity that are the outcome of the modern cultivation. And following it came a picture of the ancient civilization of India--an hour in the mansion of a native prince: Kumar Schri Samatsinhji Bahadur of the Palitana State.
The young lad, his heir, was with the prince; also, the lad's sister, a wee brown sprite, very pretty, very serious, very winning, delicately moulded, costumed like the daintiest butterfly, a dear little fairyland princess, gravely willing to be friendly with the strangers, but in the beginning preferring to hold her father's hand until she could take stock of them and determine how far they were to be trusted. She must have been eight years old; so in the natural (Indian) order of things she would be a bride in three or four years from now, and then this free contact with the sun and the air and the other belongings of out-door nature and comradeship with visiting male folk would end, and she would shut herself up in the zenana for life, like her mother, and by inherited habit of mind would be happy in that seclusion and not look upon it as an irksome restraint and a weary captivity.
The game which the prince amuses his leisure with--however, never mind it, I should never be able to describe it intelligibly. I tried to get an idea of it while my wife and daughter visited the princess in the zenana, a lady of charming graces and a fluent speaker of English, but Idid not make it out. It is a complicated game, and I believe it is said that nobody can learn to play it well--but an Indian. And I was not able to learn how to wind a turban. It seemed a simple art and easy; but that was a deception. It is a piece of thin, delicate stuff a foot wide or more, and forty or fifty feet long; and the exhibitor of the art takes one end of it in his hands, and winds it in and out intricately about his head, twisting it as he goes, and in a minute or two the thing is finished, and is neat and symmetrical and fits as snugly as a mould.
We were interested in the wardrobe and the jewels, and in the silverware, and its grace of shape and beauty and delicacy of ornamentation. The silverware is kept locked up, except at meal-times, and none but the chief butler and the prince have keys to the safe. I did not clearly understand why, but it was not for the protection of the silver. It was either to protect the prince from the contamination which his caste would suffer if the vessels were touched by low-caste hands, or it was to protect his highness from poison. Possibly it was both. I believe a salaried taster has to taste everything before the prince ventures it--an ancient and judicious custom in the East, and has thinned out the tasters a good deal, for of course it is the cook that puts the poison in. If Iwere an Indian prince I would not go to the expense of a taster, I would eat with the cook.
Ceremonials are always interesting; and I noted that the Indian good-morning is a ceremonial, whereas ours doesn't amount to that. In salutation the son reverently touches the father's forehead with a small silver implement tipped with vermillion paste which leaves a red spot there, and in return the son receives the father's blessing. Our good morning is well enough for the rowdy West, perhaps, but would be too brusque for the soft and ceremonious East.
After being properly necklaced, according to custom, with great garlands made of yellow flowers, and provided with betel-nut to chew, this pleasant visit closed, and we passed thence to a scene of a different sort: from this glow of color and this sunny life to those grim receptacles of the Parsee dead, the Towers of Silence. There is something stately about that name, and an impressiveness which sinks deep; the hush of death is in it. We have the Grave, the Tomb, the Mausoleum, God's Acre, the Cemetery; and association has made them eloquent with solemn meaning; but we have no name that is so majestic as that one, or lingers upon the ear with such deep and haunting pathos.
On lofty ground, in the midst of a paradise of tropical foliage and flowers, remote from the world and its turmoil and noise, they stood--the Towers of Silence; and away below was spread the wide groves of cocoa palms, then the city, mile on mile, then the ocean with its fleets of creeping ships all steeped in a stillness as deep as the hush that hallowed this high place of the dead. The vultures were there. They stood close together in a great circle all around the rim of a massive low tower--waiting; stood as motionless as sculptured ornaments, and indeed almost deceived one into the belief that that was what they were.